Posts Tagged ‘Imaginaries’

Goddess Laksmi and Cultural Traditions of Rice: Implications for the Status of Women

August 2, 2011

Bidyut Mohanty, Institute of Social Sciences (Delhi)

There is worldwide concern at the falling proportion of girls among youth populations in developing countries, especially in China and India which are otherwise making news as rising economies. Recent census figures in both countries present a still increasing gender gap and thus an alarming trend toward an expanding ‘female deficit’ over the decades. A deeper analysis of this phenomenon indicates that it is related in no small measure to the non-recognition of the economic value of women’s contribution to production processes and household work.

A glance into traditions of economy and culture can provide clues to solving this problem. The historical experiences of Asian societies, especially rice-growing regions, show that even in a prevailing patriarchal milieu, recognition of women’s participation in the agricultural process and household management has contributed to enhancing the status of women. This is illustrated by study of a social reform initiative in Eastern India which shaped popular consciousness in the sixteenth century through a literary creation rooted in the myth of goddess Laksmi, in which practices from the rural economy and the household helped convey a socially transformative message whose ritual observance continues on a mass scale until today and laid the foundation for a relatively more egalitarian and gender-just society.

The 16th-century regionalization of Indian culture accompanied the rise of great kingdoms and the unfolding of religious transformations. Regional languages challenged the dominance of Sanskrit by producing a rich variety of literature, while the great epics such as the Ramayana and Mahabharata were translated into local languages and adapted to local cultures. The Laksmi Purana (Laksmi Vratakatha) reflects this tendency. The purana genre is a popular Indian scripture, particularly in the tradition of Hinduism, that usually depicts the story of a goddess or god and sometimes imparts a radical message to the masses of common people. The Bhakti movement provides the example of social reformers like Balaram Das, who wrote the Laksmi Purana. This wave of the sixteenth century Bhakti movement in Odisha differed considerably from earlier phases insofar as it provided a social and philosophical orientation to the movement. Its two main sects challenged the existing patriarchal and caste hierarchy and the subordinate role of women by recruiting members from all castes, and advocating that the status of any individual be based on work, rather than birth.

The goddess Laksmi, known traditionally as the consort of Lord Vishnu, is regarded in Odisha as the consort of Lord Jagannath and resides with her husband within the boundaries of his temple at Puri while enjoying her own separate temple in his sacred precinct. The twelfth-century Jagannath temple is still considered the most important in Odisha since the god has always been recognized as the main deity of the royal family and the region itself.

In the sixteenth century different sects of the Bhakti movement worshipped Lord Jagannath, who was regarded as the incarnation of both Vishnu and Krishna. Thus the Jagannath temple became an important site for the reformers to impart their radical social messages. Balaram Das used the precinct of the temple to recite his purana among the women.

Laksmi is also known widely as Annapurna, provider of the bounty of rice. Examining the way Laksmi is conceptualized reveals her links to the cultural practices of rice cultivation. Women generally uphold cultural practices, and rice culture is no exception. The unique place of this grain in shaping the lifestyle of the people whose sustenance and livelihood depend on it is seen in the fact that only rice is associated with a goddess – Laksmi. In rice-cultivating regions in India, each stage of production is carried out on an auspicious day and rituals are performed. Odisha, a predominantly rice-producing state, knows various rituals marking stages of rice cultivation such as ploughing, transplantation, harvesting, and storage. Thus rice and Laksmi are interchangeable concepts in local imagination, and in the rural areas rituals have been performed from the sixteenth century until today. Women try to observe these rituals with devotion lest the displeasure of the goddess affect the harvest and bring starvation, concerns that ensure care and attention to the process of production. During the annual worship of Laksmi, women still recite the purana written by Das.

The purana story reads like this. Once Laksmi went out of the temple of Puri in disguise to observe devotees worshipping her on her designated day. She was disappointed to find only one untouchable woman worshipping. Being pleased with her, Laksmi went to her house and granted her a number of boons. On returning to the temple her husband Jagannath, provoked by his brother Balaram, rebuked her and demanded that she leave the temple since by visiting an untouchable household she had become an out-caste. Offended by the lack of appreciation of her visit to a devotee irrespective of caste, she cursed the brothers to be deprived of food until she fed them. She vowed to teach them a lesson by showing her own capabilities, and since she was in charge of the all the food grains of the mortal world as well as household affairs, she saw to it that the brothers went hungry. She resorted to this punishing act also realizing that otherwise men of the mortal world would not care for their women.

Deprived of food, the brothers roamed the land until they finally landed on the doorstep of the household where Laksmi was living. Laksmi fed them, declaring herself an untouchable. Realizing his fault, Jagannath promised her autonomy to move freely among her devotees without caste barriers, and allowed members of all castes to share offerings to him without stigmatization as out-caste. Jagannath receives offerings of cooked food to this day.

As mentioned in the story, women were in charge of managing the food grains at the household level. Women’s participation in the reality of agriculture work today remains obvious in rice-farming areas. Scholars from Boserup (1970) to Joan Menchor (1978) and Pranab Bardhan (1974) have all pointed out that women contribute significantly to almost every stage of rice cultivation. It has been observed that the girl child has a better chance to survive in rice-farming areas compared to areas where wheat cultivation dominates. Evidence also suggests that both the infant mortality ratio and the gender ratio (males per hundred females) are lower, thus less adverse to women, in the rice-producing regions as compared to wheat producing.

Thus it is that the Bhakti movement of the sixteenth century left traces visible to this day in rural Odisha. In the purana story not only does Laksmi assert her autonomy but, more importantly, she challenges dominant caste discriminations and raises the status of women’s labor. In the present global context some important lessons can be derived from this example. For although India and China have adopted policy measures to protect the girl child, year after year the proportion of female children continues to decline despite growing signs of social and economic prosperity. Such trends seem to indicate that cultural attitudes and perceptions may now be one of the greatest obstacles that policymakers and reformers confront. Although they should continue to advocate policies that increase job opportunities for women, they must also turn their attention to developing strategies that enhance the perceived value of women’s contributions to economy and society. Local mythologies may offer fertile ground for such activism, as the Laksmi Purana so eloquently suggests.

Bidyut Mohanty, Ph. D (Delhi) is Head of Women’s Studies at the Institute of Social Sciences (ISS) in New Delhi. She has been a Visiting Professor in the Global and International Studies program at the University of California, Santa Barbara and is the coordinator of an ISS and UNDP project on capacity building of elected women leaders in local government in India, and as well as of a project sponsored by the National Commission on the protection of child rights.

Suggested Reading

Bardhan, Pranab (1974). ‘On Life and Death Question.’ Economic and Political Weekly, Special Number, August.

Boserup, Ester (1970). Women’s Role in Economic Development, London, Allen and Unwin.

Menchor, Joan (1978). Agriculture and Social Structure in Tamil Nadu: Past Origins, Present Transformation and Future Prospects.  New Delhi, Allied Publisher Ltd.

Mohanty, Bidyut (2008). “Status of Women in an agrarian Economy: Deconstruction of Oriya Laksmi vrata katha.”  In Shimkhada, Deepak and Phyllis Herman, The Constant and Changing Face of Goddesses: The Goddess Tradition of Asia. Newcastle upon Tyne, Cambridge Scholars Publishing.

Mohanty, Satya P (2008). “Alternative Modernities and Medieval Indian Literature: The Oriya Lakshmi Purana as a Radical Pedagogy.” diacrities /Fall 2008

Global Era Imaginaries: Myth Today

July 22, 2011


Victor Faessel, UC Santa Barbara

Since the 1950s, a concerted pushback against the narrative of secular modernity has followed post-colonial independence in many countries around the world and was accompanied by a proliferation of nationalist counternarratives grounded in ethnicity, religion, and shared memory. Indigenous traditions, myths, and histories became a rallying point. Yet this recovery often implied the recasting of traditions, sometimes reframing specific myths and mythic figures to assert exclusionary communitarian boundaries. In some cases this reaction was a form of resistance to the secular national state (e.g., political Islam, the Iranian theocratic revolution), in others it reflected tension with social groups seen to compete for scarce political or economic resources or was rooted in underlying animosity toward a near neighbor (e.g., Hindu nationalism). Not seldom was it a compounding of these and other factors, complicated by the legacy of colonial administration of institutions like the census, which fostered non-indigenous categories such as race, class, and property rights.

This recovery and valorization of indigenous knowledge in post-colonial states posed a serious challenge to some of the foundational assumptions of Euro-American ethnography and comparative religious studies. Ostensibly scientific approaches came under fire for supplying ideological constructs that legitimized colonial rule, foremost of which was a dialectical other—the lethargic, darker-skinned “primitive” with his irrational beliefs, childish stories, and non-productive ways. This other served as a foil for the Enlightenment program which itself partly served to justify western domination and economic exploitation. As unquestioned and commonsensical as these prejudices had seemed at the time, this cultural script of the enlightened west has the form of a mythic discourse: a story broadly accepted by its primary audience of savagery overcome by reason, of backwardness transformed into (linear) progress vouchsafed by superior European “civilization” and, more recently, by the “providential” (and therefore exceptional) status of the United States of America as the light of the world.

Economic globalization displays western liberalism’s master narrative newly rationalized and reformatted: globally integrated “free” markets fostering “free” consumer-entrepreneur citizens and rising western-style “standards” of living. Global economic integration speeds the erosion of traditional lifeways in societies everywhere, yet this external pressure is resisted in different ways. Culture is resilient; it can be creative under pressure, can accommodate or integrate non-native ideological constructs and myths; indigenous narratives may be reshaped to concord with emergent needs of resistance and survival, as the cases of indigenous Hawaiian or Christianized Congolese groups demonstrate in different ways (Friedman and Friedman, 2008).

Against this backdrop, a consideration of myth in the contemporary global setting ought to recognize the term’s usefulness for identifying a form of narrative discourse bound up with ethnic, communal, religious, and national identities that are anything but static. Myth should be defined in a manner cognizant of the layered intersections of belief, political and historical consciousness, cultural reproduction, and human agency woven through social formations, and be sensitive to the diverse pressures confronting post-colonial and indigenous societies and subjectivities (deculturation, fragmentation, development and IMF agendas, exposure to global economic cycles). But a capacious definition of myth would also recognize that the current global situation presents multiple “modernities” and nationalisms that, while generating indigenous forms of distortion and erosion, also produce assimilative and creolizing tendencies that impact bodies of narrative tradition including myth, legend, and folklore.

Myth thus defined is clearly distinct from two uses of the word common today that remain bound to its dialectical position in Christian polemics, Enlightenment visions, and colonial projections. Today ‘myth’ is commonly equated with little else but organized deception, false belief, and anachronism—as a kind of ideological critique. A conception of myth that is faithful to its actualities must acknowledge the centrality of imagination and sentiment for individuals and social groups alike, and affirm narrative’s constitutive role where social imagination, sentiments, and agency intersect. Mythic stories typically hold a kind of authoritative status and/or possess explanatory value for a group’s members, be they entire nations, sub-national and ethnic groups, class strata, religious and diasporic communities, or subsets of any of these. Elites often hold up myths as this kind of authority. Myths are usually aligned with tradition and identity, yet they should not be equated solely with religious identity because secular identities and recrudescent or “invented” historical traditions may also ground themselves in myths. As core components of a group’s repository of images and stories, myths help to constitute and express a social or cultural imaginary, and supply discursive substance for ideologies. Myths are often set in a timeless or exemplary past, yet some convey the shape of imagined futures in the form of eschatologies, revolutionary goals, utopias, and dystopias. Both taken for granted and frequently evoked, mythic images and stories are always reinterpreted to meet the challenges of the present. Myths, as implicit appeals to group sentiments in maintaining, reasserting, or reconstituting communal order and identity, may be regarded as a mode of discourse. They count among the significant repertoire of scripts and images around which social groups cohere, but they may also be divisive, and over them members can and do contend. In sum, myths contribute decisively to the habitus, the nomos, and to the discursive and performative activity of cultural reproduction and social change.

It seems reasonable to count mythic stories among the artifacts of imagination that accompany every phase of human movement across global space and time. Implied with the human encounters of migration, trade and exploration is a dialectics of exchange and mutual influence. Cultural forms are thereby transported and transformed. This is entirely consistent with conceptions of the globalizing process that see it as an intermittent but longstanding and non-singular process.

Myths constellate themes, plots, and character types that continuously infuse the universal human activity of storytelling, and so perdure outside of the traditional, community-constituting stories and cosmologies in both high/classical and popular literatures as well as in film, TV, manga, video games, etc. The ongoing work on mythic images and themes is carried forward here, for reception and reinterpretation are not limited to text-literate audiences for whom cultural canons are matters of schooling. Diasporic communities, multi-ethnic families, overseas migration, and of course media stimulate the global flow of peoples, stories and images, and thereby generate sensitivities toward cultural others that intensify myth making, adaptation, and use. Myth remains bound to the dynamism and vitality driving the globalization of culture.

Victor Faessel is Program Director of the Orfalea Center for Global & International Studies at the University of California, Santa Barbara, and Secretary of the Global Studies Consortium. He is also Managing Editor of the Encyclopedia of Global Studies (Helmut Anheier and Mark Juergensmeyer, eds., forthcoming from Sage Publications) to which he has contributed an essay that is the basis for this adaptation.

Suggested Reading
Anderson, Benedict. Imagined Communities. (1983). Verso, 2006.

Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minnesota,
1996.

- – -. Fear of Small Numbers. Duke, 2006.

Bottici, Chiara. A Philosophy of Political Myth. Cambridge, 2007.

Collins, John J. The Apocalyptic Imagination. 2nd edn. Eerdmans, 1998.

Doniger, Wendy. The Implied Spider: Politics and Theology in Myth. Chicago, 1998.

Friedman, Kajsa Ekholm and Jonathan Friedman. Modernities, Class, and the Contradictions of Globalization. The Anthropology of Global Systems. AltaMira/Rowman & Littlefield, 2008.

Juergensmeyer, Mark. Global Rebellion: Religious Challenges to the Secular State from Christian Militias to Al-Qaeda. California, 2009.

Lal, Vinay. Empire of Knowledge. Pluto Press, 2002.

Lincoln, Bruce. Theorizing Myth. Chicago, 1999.

Nandy, Ashis. Time Warps: Silent and Evasive Pasts in Indian Politics and Religion. Permanent Black, 2002.

Nederveen Pieterse, Jan. “Representing the Rise of the Rest as Threat. Media and Global Divides.” Global Media and Communication. 2009 (5:2), 221-237.

Said, Edward. Orientalism. Pantheon, 1978.

Steger, Manfred. The Rise of the Global Imaginary. Oxford, 2008.

Taylor, Charles. Modern Social Imaginaries. Duke, 2004.


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